´º¿å ´º¿å È£ÅÚ¿¡¼ °ø¿¬ÇÏ´Ù°¡ º£³×½Ã¾È È£ÅÚ·Î ¿Å°Ü °ø¿¬ÇÏ´Â ¾¤·Î½á Venetian Showroom¿¡¼ ¿ù ¿äÀÏÀ» Á¦¿ÜÇÑ ¸ÅÀÏ 8½Ã¿¡ "Lord of the Dance"¸¦ °ø¿¬ÇÑ´Ù ÀÔÀå·á´Â $75 ÀÌ´Ù ÃÑ 90ºÐ µ¿¾È 40¸í ÀÌ»óÀÇ Àü¹® ´í¼ ¹× ¹ÂÁö¼ÇµéÀÌ ÆîÄ¡´Â Michael Flatley's Lord of the Dance °¡ °ø¿¬µÇ´Âµ¥,
´«ºÎ½Å ´í¼µéÀÇ ¸ö µ¿ÀÛ°ú ¾ÆÀÏ·£µåÀÇ °íÀü ½ºÅÜ´í½Ì(Step Dancing)¸¦ Çö´ëÈ ½ÃŲ ½ºÅÇ ´í¼ÀÇ ¹ß ³î¸²ÀÌ ¸ÅȤÀûÀ̸鼵µ ¼½½ÃÇÔÀÌ ´À²¸Áö´Â ¼îÀÌ´Ù. µî±ÞÀº (C-) ÀÌ´Ù.
'MICHAEL FLATLEY'S LORD OF THE DANCE' (C-) Flatley, the Fred Astaire of Irish step-dancing, created a franchise with his name above the title of three companies, but his feet aren't on the stage in Las Vegas. Instead a young, attractive cast gamely stomps through a vague tale of Celtic mythology that comes off like a mixture of populist PBS fare and "WWE SmackDown!" Things blow up good like at a Kiss concert and the bad guy snarls and wears a mask. The contagious energy of the performers rises above the silliness, but not above the slightly artificial atmosphere that comes via the recorded music and footfalls. (6/30/00 M.W.)
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